Category Archives: fly history

Maple Sugar Tintex, Cal Bird's dyed teal for the Bird's Nest

Maple Sugar Tintex and dogged perseverance

The sight of a box of Maple Sugar Tintex isn’t likely to raise your blood pressure nor cause your heart to flutter, but my recent encounter was cause for an unsightly display of my version of Snoopy’s Happy dance …

Maple Sugar is a color that is no longer made by the Canadian dye maker, Tintex, and is the original color for the dyed Teal Flank that Cal Bird used for the Bird’s Nest. Maple Sugar Tintex, is also an outstanding source of imitation Wood Duck when dyeing Mallard flank as its replacement. Tintex stopped making the color nearly forty years ago without giving us fly tiers a chance to lay in a goodly supply.

After several decades of fruitless searching, garage sales, and similar venues, I’d not been able to turn up some old stock from any source.

Tintex and RIT were both consumer oriented dyes, fixed with salt, that were intended for home use, on curtains, garments, and hosiery. From the 1940’s onward, both RIT and Tintex were available on every store shelf, in every variety store, and nearly all the “Mom and Pop” neighborhood stores. Old school fly tiers, who dyed their own colors to suit local insects requiring custom colors, used both as the “go to” agent for creating materials not readily available.

Both RIT and Tintex have their fixative agent, salt, mixed into the dye powder to make the dye process foolproof. Protein dyes, more commonly used with feathers and fly tying materials, use acid as the fixative, and it is NOT premixed into the dye. Jacquard and similar companies require you to add acid, typically a 5% Acetic (White Vinegar) or 10 % Muriatic (swimming pool acid), into the dye bath to make the color permanent.

Tintex dyes are still made in Canada but many colors have changed and they are no longer in most American stores. RIT won the domestic battle, but even they are only present in a third of their former locations.

Pure stubborn mixed with an elephantine memory allowed me to stumble onto a stash of old Tintex dyes, and it was akin to Harrison Ford glimpsing the Arc of the Covenant … there, gleaming in their aging plasticine wrappers,were five boxes of Maple Sugar, which would be enough to equip a regiment of anglers with teal feathers.

Both RIT and Tintex prepacked boxes dye about a pound of material. More if you will settle for a lighter shade of the color, less if you need it darker. Five boxes means I can dye about two and half kilos of teal flank, which is enough Teal flank to depopulate the Pacific Flyway …

Fishermen are a superstitous lot, with as many metaphysical hangups and superstitions as baseball players and gamblers. NOT owning any teal flank dyed in the original color will NOT make your flies less fearsome, but as success in fly fishing is always due to the angler’s confidence in his fly, your ersatz offering might interest minnows and frogs, while mine …

… … well, I might be going home with the Prom Queen … as it’s my lucky day ..

Dame Berners is safe, but damn little else is

UK scientists have unearthed a startling new trove of prehistoric angling gear, containing evidence that fly fishing may have developed in prehistoric times

UK and Chinese scientists are suggesting that the Confuciusornis fossil discovered in China, may have been a dinosaur with a Mohawk of ginger colored feathers running down its spine.

… as this is the first evidence of a feathered animal small enough for Man to run around and beat to death, it’s thought the ginger hackles may have been used to craft fishing lures and flies.

As early Man wasn’t able to trod the river with impunity – everything in and out of the water being two or three times his size, possessing foot long teeth, and faster; these early “flies” may have been part of a rod-snare mechanism versus the “park ass on a rock and wait for the rod tip to move” style of angling practiced today.

Wood fragments found in a nearby cave suggest a tapered tree branch with both ends sharpened. This would allow the snare to be cast into the water, the rod stobbed into the mud nearby, with our prehistoric angler zig-zagging frantically – avoiding ravenous meat eaters while his prehistoric angling buddies shouted encouragement from the safety of a nearby cave.

… damn little has changed.

Ginger Cat's Kill

As our lust for science is well documented, I was asked to view the scraps of sinew and fossilized angling debris to assist in shedding light on these rare artifacts…

… and while puzzled by the “saber-toothed” imitation,  scientists reassured me that prehistoric Mayflies ate people with great gusto – and the rendition was anatomically correct.

Fossilized Confuciusornis Cape DNA testing proves the fur used was one of the many predatory cats that roamed the area, perhaps a lucky kill considering the flint spear points and unsophisticated hunting gear consistent with that era.

I called it a “Ginger Cat’s Kill” – due to the indiscriminant use of Confuciusornis hackle – and mentioned that the faint scratches surrounding the fossil had meaning…

Naturally we’ll have to rewrite a few passages involving the Etruscans and Rome … Dame Juliana Berners is safe – but damn little else will be.

Tags:  Confuciusornis, ginger hackled dinosaur, Cat’s Kill dry, fly fishing history, dame juliana berners, fossilized feathers, fishing snare, DNA testing, Whiting farms

Like a Royal Coachman only with a yellow body …

Some aspiring beginner announces on a forum that he’s invented a new fly, asking for comments on the quality of construction and the style used.

… which brings the Wrath of The Horribly Offended onto his narrow shoulders. The first half dozen comments point out someone else’s fly his resembles, albeit minus the red tail, and then all original thought is ignored as various fanbois attribute the tie to their respective Sensei.

In the meantime the next great fly tier backpedals back into anonymity swearing never to show his work again.

Ours isn’t the only sport where the word “invention” is four letters. Perhaps variation or derivation is more appropriate – but with 200 plus years of fly tying already behind us has anyone really invented anything in the last 50 years?

Of course they have, only we have trouble admitting it.

Discounting the new flies that arrive with each synthetic, most of the natural materials like fur and feathers are well known and documented. We’ve wrapped, clumped, bound, spiraled, tamped, straightened, and parachuted most everything already.

Fly patterns have this enormous gulf of Gray, with rabid partisans perched on every outcropping just waiting to tee off on the unwary. Us well intentioned tiers duck and evade the unguarded phrase containing “new” or “invented” – and are reminded how easy it is to lift the lid off Hell Incarnate.

I figure there are three basic issues within the larger question of “new”, and these revolve around colors, styles, and method.

Changing the tail on a Black Gnat from black to chartreuse will rarely work up much emotion. With only the single change, it’s a variant of the Black Gnat, and should be named similarly. “Bob’s Black Gnat” is appropriate, as is “Yellow-tailed Black Gnat.” The issue is straightforward – do you wish to pay homage to the original, or do you wish fame everlasting?

As with all vanity, it’s an individual thing – and is probably the source of the foment when the issue raises itself in the media. In the most virulent posts – and ensuing comments – affixing your name to an existing variation is unworthy, even if you made the fly better.

… but if you’re already famous it’s okay, as witnessed by the Royal Coachman and its derivative the Royal Wulff.

Variations caused by style are similar. No one raises an eyebrow at a Parachute Adams – unless it’s introduced as Bob’s Killer Bug. Fingers start pointing, flames erupt and in the blink of an eye – the forum thread is in shambles, with the incensed participants labeling each other with even better names …

Fly tying styles have always incorporated the traditional patterns, as they’re already the product of many years of tinkering and refinement.

We don’t like to think in those terms, how the original fly may have been slightly different and bore a different name – but history is written by the victor, and the venerable Adams may have originated as Finkle’s Wilson, until some SOB added grizzly wings …

… and was vilified by anglers when he dared rename it.

Which neatly explains how difficult it is to trace the original recipe on the timeless patterns of yesterday, likely each author took the variant he fished as gospel.

Style can be incurred by materials as well as tying method. Polypropylene made us retie everything, and we gleefully discarded muskrat, fox belly, and beaver bodies … until we learned Poly fur was coarse, unforgiving, and didn’t float much better than our old fur. That didn’t stop us from putting “Poly” in front half the old standby’s, but as the material proved a false prophet the renaming ceased once it became less popular.

Bead head flies are another example of how a functional style begats variation. Somehow the addition of a heavy bead didn’t warrant renaming the Prince nymph, and we merely added “bead head” to distinguish the functional change.

We’ve seen numerous styles in the last 50 years, most have occurred since we mastered the petroleum polymers, like Nylon, Banlon, Antron, and Z-lon – and the countless synthetics that have been adapted from carpet fibers and the upholstery trade.

We’ve replaced chicken fibers with Microfibbets, wings with Polypropylene or Z-lon, swapped fur dubbing for Antron carpet blends, and did away with hackle entirely – or tried to … We’ve endured the Yorkshire Flybody hook, Swedish dry flies, thorax duns, Waterwalkers, No Hackles, and dozens of different surface film flavors that only young eyes can see.

We’re so busy attempting to replace the Catskill dry and standard nymph, that our failure to find a glossy synthetic equivalent may play a part of the angst displayed when policing derivations and variants.

Structural method also spawns flies as new. Advances in hook design or the debut of a lightweight gossamer can spawn new styles of tying the older flies, and inspire much creativity.

Parachute flies are a great example. Most contain the identical ingredients of the traditional fly, and like bead heads we’ve added “parachute” to the name with little fanfare and no resistance.

… and it’s only because the Czech’s have been consistently eating our competitive lunch that we haven’t complained of their adaptation of a scud style (hook and style) into a bonafide Czech Nymph.

… like Kaiser Soze – we’re terrified of angering them.

Fly tiers have always approached invention with trepidation. Our first halting steps were necessity rather than genius, and added a taint not soon forgotten.

A new tier usually takes the glossy plates of books and magazines as his first muse. Consumed with creativity he’ll often overlook materials in the original recipe that he’s missing. With the fly two-thirds complete another four letter word, substitution, rears its ugly head.

Even if a Light Cahill is completed with Green hackle tips for wings he’ll view it as a failed attempt, as it’s not the original pattern. Months later when he’s more comfortable with skills and patterns he makes a minor modification, perhaps to customize it for his watershed or local insects, and we chew his ass for blasphemy.

A strange dichotomy, on the one hand we’re intent on discarding the old, and are incensed by anything new derived of their tradition.

The Royal Coachman Nymph, I invented it The Royal Coachman Nymph, and I invented it

Later in a fly tier’s career it’s all about experimentals and variations of derivatives. After many years fishing you realize that traditional patterns are merely flies that have become popular, not that they’re better than everything else.

But all those test cases and oddballs are kept close to the vest. Metered out to strangers on the creek when you’re lucky enough to have something that’s better than most that afternoon, and the rest given a trial and buried into an overhanging tree limb or sunken log.

… and while the forum dwellers snarl at each other from the safety of their computer, attributing whatever appears as something their favorite author or fishing buddy tied first, half of them don’t tie at all – and the other half don’t tie well … which is most of the reason they’re not offering their flies for commentary.

Is it a new fly worthy of a name, whose pedigree can be traced to its originator? Usually not. Mostly they’re copies of copies whose original dressings were guessed at – contained frequent substitutions, which were fortunate enough to have their name and recipe contained in an early tome on fly fishing.

… and if its description involves naming a classic fly, then it’s a derivation regardless of what you call it.

Tags: fly tying, naming flies, Yorkshire flybody hook, Partridge hook company, Catskill dry, traditional fly patterns, fly fishing forums, Light Cahill, Royal Wulff, parachute flies, bead head, Czech nymphs

Book Review – Tying Catskill Style Dry Flies

I’ve always likened the traditional dry fly as the fly fishing equivalent of the Japanese Tea ceremony. You can tie a million of them and the number of times you’re pleased with the result you can count on one hand.

Double-divided quill wings spin our gossamer tippet into a snarl, Woodduck flank is expensive as hell, and we roar past the traditional Catskill dry enroute to something more contemporary and scientific.

The Catskill Cabal; George Labranche, Theodore Gordon, Preston Jennings, Walt & Winnie Dette, Rube Cross, Art Flick, Harry & Elsie Darbee, and Roy Steenrod, were instrumental in the migration of English dry fly theory and adapting chalkstream tactics to moving water. Despite the passage of nearly one hundred years, their influence on the sport continues unabated.

Red Quill, one of many Catskill standards

Mike Valla has written an engaging book on the entire Catskill experience – from his vantage as an “adoptee” of the Dette’s. It’s an interesting and fast read that introduces the rivers – their unique personalities and patrons, the fishermen, and the fly tying brain trust that gave us the traditional patterns we know today.

The book focuses on the development and variations of the traditional Catskill flies, how each was modified, the individual variants popularized by each tier, and how the modern Catskill patterns we tie today evolved from their inception.

“This was the Rube cross who told Walt Dette, in the late 1920’s, to get lost when Dette asked Cross to show him how to tie flies. Walt promised that he would tie only for himself, but Cross would have no part of it.”

“When (Rube) Cross turned down Walt Dette’s request to teach him his tying techniques, Dette purchased $50 worth of flies from Cross, and he, Winnie, and Harry Darbee dismantled them in a rented room above a Roscoe movie theater to learn the Cross technique ..”

“Legends” can be as ornery and cantankerous as the rest of us. Books and autobiographies usually omit personality and character – facets that add a great deal to any legend. In describing Rube Cross’s 1950 work, “The Complete Fly Tier” – where his fly tying style was photographed, its author may have tried to hide his technique from us as well:

“One late summer evening many years ago, while I was at Walt’s side at his vise, he explained what they discovered about the Cross technique: ‘That is not what the unwrapping revealed. When we untied Cross’s flies, he set those wings first, then the tails, then the body, the common sequence that is used today.’ Walt used to give Cross some benefit of the doubt, and stated that maybe Cross changed his technique, but it does seem odd. Winnie, on the other hand, thought the change described in the book deliberate, to hold secret his true technique.”

This “forty-thousand foot view” of the area and its personalities adds a great deal of information not encountered in specific literature, like the interactions of all this talent and their individual foibles.

Considering the materials and techniques of the day, no bobbins, 3/0 silk thread held with clothes pins, the lack of genetic hackle, the paucity of blue dun – a color that permeates Catskill flies, few synthetics, and no domestic supply of fly tying items – most ordered from England, their skill, especially the Dette’s and Rube Cross, is astounding.

The chapter on hackle brought back unwelcome memories from my own youth, as Dun necks were squirreled away in back rooms – reserved for that special customer. Each Catskill tyer eventually developed his own stable of chickens to ensure adequate dun hackle. “Live plucking” the hackle was the norm – the chickens being much too valuable to kill.

We’ve never had to run around in the dark trying to corral wise old roosters who’ve experienced a couple years of scalp pulling…

“Modern fly tiers have access to every possible shade of hackle required for any fly pattern, and the stiff hackle is superior to what we all had to live with years ago. Jack Atherton once traded one of his original paintings, worth thousands of dollars, for a hackle cape that the stiffness and color required for Neversink Skaters; tiers today don’t realize how coveted a good neck was in the early years. One can walk into any good shop and choose from a wide variety of dun shade and be assured that even the lowest grade necks are better than hackle available ten years ago.”

Indian and Chinese capes were the only thing available pre-1980’s. They were serviceable enough for flies #12 and above, but tying #16’s – with hackle less than an inch long, still brings me nightmares.

That attention to detail has propagated itself into the current hackle business, as Harry Darbee’s line of genetic chickens may have served as the initial brood stock for both amateur and commercial alike:

“The Darbee line, as it is called , has also found its way into the flock of numerous backyard breeders like Doc Alan Fried in Livingston Manor. Fried , in turn, continued Darbee’s generosity in sharing eggs, and it was through Doc Fried that Darbee DNA found its way into the Collins and Whiting hackle.” 

For the fly tyer interested in plates, dressings, and authentic patterns, you’ll not be disappointed. Step by step illustrations demonstrate the Dette-trained Valla’s Catskill mastery, and the many variants practiced by each of the above tiers. Many samples of original work are depicted from the author’s collection – and the Catskill Fly Fishing Center and Museum.

Despite the cross-continent geographic gulf, the dissimilarity in watersheds that I fish, and all the advances in synthetics and angling technology, “Catskill” style traditional dries still comprise a dominant role in the fly box. We no longer need to leave the gap behind the eye as the Turle knot has been replaced by the Clinch, but the design and simplicity of this style of dressing will likely survive another hundred years, despite the many who insist it’s outdated.

Great book, with content for both angler and fly tier alike.

(Full Disclosure: The reviewer paid full retail for the book, it’s available from Amazon.com for $32.95)

Tags: Mike Valla, Catskill Fly Fishing Center and Museum, Art Flick, Walt Dette, Rube Cross, Theodore Gordon, Harry Darbee, George LaBranche, Roy Steenrod, Preston Jennings, Tying Catskill Style Dry Flies, Turle knot, the Complete Fly Tier, Catskill angling lore

Bird’s Nest History, and How One Man’s Soup is Another Man’s Fly

Spectral Bird’s NestI mentioned the “Bird’s Nest” fly in last nights post, I had the privilege of knowing Calvert Bird years ago when it was created. Cal was one of the most singular and gentle fellows I’ve ever known, he had a weakness for coffee and wreath cake, which I exploited unmercifully.

All of Cal’s well known flies are generalist patterns, you won’t find individual legs, or precise structure that limits the fly to a single genus and species; Cal was a trained artist, a calligrapher by trade, and his artistic skills imbued all of his work.

Cal had retired and lived across the street from Frank Matarelli, the “father” of all of the fly tying tools we use today. Watching that pair in action was always a treat, as gentle and soft spoken as Cal was, Frank was strident and bellicose. They often collaborated, Cal would fiddle with Frank’s tools, and Frank would berate Cal for using them wrong, or some other imagined offense.

The Bird’s Nest pattern was invented around 1984. Cal tested the fly on trips to Hat Creek, and handed them with a knowing wink to his friends, “Try these,” was all he would say.

The original pattern was a precise blend of fur not seen in today’s commercial versions. 50% gray Australian Opossum, 40% Hare’s Mask (with guard hairs intact) and 10% Natural baby Seal fur. Cal preferred the heavily barred Teal flank feathers for the hackle, these were dyed with RIT Maple Sugar cloth dye.

The rear of the fly was left naturally unruly, the combination of the guard hairs, coarse seal fur, and Australian Opossum was untamable. The head of the fly was combed with the male side of Velcro, to increase the visible spike of the hair, and merge it with the teal flank.

The hackle was also applied differently, Cal would cut the center out of a flank feather and strip back the balance, leaving a small “chevron” of flank feather on each side. The amount depended on the size of the finished fly, perhaps a 1/4″ for small flies, 1/2″ for larger #8’s and above. He would press one side onto the fly with his thumb, and would use the thread to distribute the fibers. As the thread circled the far side of the fly, he would press the remaining teal close to the shank with his forefinger, then allow the thread to distribute the fibers along the far side and belly of the fly.

The fly originally debuted in two flavors, Natural (the fly we use today) and Spectral.

The Color WheelThe Spectral Bird’s Nest was pure artist. Formal art training introduces the Artist’s Color Wheel, all colors are mixed from only three; Red, Yellow, and Blue. Secondary colors are mid-way between primaries, mix yellow and blue to get green, red and yellow to get orange, red and blue yields purple.

To get the Spectral Bird’s Nest, Cal used the Australian Opossum / Hare’s Ear base, and replaced the 10% natural seal, with 10% comprised of red, yellow, blue, orange, green, and purple, seal. All of the primary and secondary colors on the color wheel.

He would press a couple into your hand, with, “Fish see whatever they want with these.”

It is one of the best all-round searching flies I’ve used, and I can find no reference to it anywhere. Today’s tiers can substitute any coarse synthetic for the seal, it must be unruly enough to stick out from the Opossum/Hare’s Mask blend – as seal does. The completed fly should have “guard hairs” of colored fiber sticking out of the grey base, not buried in the gray where it will not be seen.

Spectral Bird’s Nest HiRez image

I have a date with an effluent creek, see you on the “Brownline” …

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